Modules stacked along a single axis — the growth rule applied in one direction.
A short run of solids snapped face to face, each rotated against the last.
Branching in more than one direction until the form closes on itself.
Bird of prey, ornamented hound and mountains, layered in grey and gold over a printed field.
Seven cypress panels arranged as a cross beside a circuit-cut tree, flame and cloud in red.
Black bird between two red cloud stamps; below, a hound in blue and a cypress on a blue ground.
Struck the conventional way — compass on the outer edge of the base sack, rr = 2·rb + sw.
The same wall run along a length, closing on the catenary a barrel stands in.
A straight drum, left open at the top for a roof or a second storey.
Soboof is a design studio working in 3D and 2D graphics and fabrication — procedural software, mirrored sculpture, and hand-pulled print. The work is made to be built with, not simply bought.
The work sits at the intersection of sacred architecture, algorithmic geometry, and craft. A single modular logic — tetrahedron, pyramid, dodecahedron — is repeated, varied, and pushed until it becomes organic: a bird, a fox, a relic.
Surfaces are hand-finished in the Ayeneh-Kari tradition — a centuries-old Persian technique of mirror inlay used in palaces and shrines. Each triangular shard captures a fragment of reality, so the piece changes with every viewer.
A hands-on session on Ayeneh-Kari: cut mirror, mount it to a modular body, leave with a sculpture you built. Small groups, in-studio.
Short writing on geometry, growth, mirror craft, and the philosophy of modular form. New entries when something is worth saying.
Commissions, gallery enquiries, press, and workshop bookings. If the brief is honest and the geometry is interesting, you'll hear back within a week.
